Showing posts with label Rius. Show all posts
Showing posts with label Rius. Show all posts

Monday, September 28, 2009

Rius' Las historietas (Los Agachados # 66) - Coda

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Images:
1. Las historietas starts with an highly flawed history of the medium; in this first image Rius almost falls into the temptation of what I call the nationalistic fallacy (he says that the first comic was created in Mexico: it's the codex Borgia: http://tinyurl.com/y8dse9n)...
2. ...but he refrains himself saying that the first comic was published in Germany by Wilhelm Busch: Bilder zur Jobsiade (pictures to illustrate the saga of [Hieronymus] Jobs; my flawed, I'm sure, translation); not only did Rius say that the book was published in 1860 (predating Max und Moritz - 1865; Bilder zur Jobsiade was published in 1872), he also ignored Rodolphe Töpffer (and I must add the disclaimer that I don't believe that Töpffer did the first comic); other names were ignored and facts mistaken;
3. even if Rius liked some American comics (Prince Valiant, for instance) he had a strong dislike of the superhero genre: "With Superman comics began to "degenerate." They became the herald of violence; of collective (and productive) stupidity" / "Be tough with him: he's a poor pinko!!" (my translation as in 4., 5., 6.);
4. "After the superheroes came the supercowboys, the superdetectives, the super-secret agents, the supermonsters... All perfectly and cinematically executed.. In a veiled or openly biased intention against Blacks, Latinos, Yellow or Red people." / "We White people are the only goodies!" / "In all American comics the hero is always white.. and the baddies are always Blacks, Mexicans, Chinese, Russians, Cubans [are these red?, ed.], or Redskins.. (When they're not baddies they're idiots or lazy)."
5. I'm no expert in comics from the former communist countries, but we seem to have to believe Rius' word when he sez that great comics were produced in Czechoslovakia, Poland, et al!... I agree with more than one of his criticisms (as you can guess reading The Crib), but this manichean belief that everything was bad in Capitalist countries (and Rius doesn't say that, mind... as I said before he states his fondness for a few American comic strip series) and everything was great in the so-called communist countries is far from an intelligent and critical position...
6. Rius also wrote in Las historietas about Mexican comics; he's critical of them because either they're imported from Gringo country or they're done in Mexico copying Gringo's ways; "In the same way as fumettis [telenovelas] Mexican comics serve the publishers' only interest" / "To sell." / "And what sells? What's gruesome, vulgar, what gives people violence, sadism, "love," false values, fantastic adventures, in a word..As Mr. Bertrand Russell (R.I.P.) put it: Opium of the best quality!"

Thursday, August 13, 2009

Rius' Las historietas (Los Agachados # 66)


Eduardo del Rio (aka Rius) is a left wing Mexican political cartoonist who edited two comic book series: Los supermachos [the supermachos - one hundred issues: 1964 - 1967 - in Spanish: http://supermachos.toliro.com/] and Los agachados [the stooped ones - two hundred and ninety two issues: 1968 - 1977: Bob Agnew's translation, here: http://tinyurl.com/p2dsh8 (I also saw this title translated as "the underdogs")].
"Las historietas: El método más barato para embrutecerse... (o cultivarse... según...)" [comics: the cheapest way to stultify oneself... (or to cultivate oneself... it depends...) - my translation] is issue # 66 of Rius' Los agachados. It was published on april, 4, 1971, by Editorial Posada. In the first page of the comic book Rius wrote: "Historieta hecha por la tribú Rius © 1969." This suggests that Rius wasn't the only person involved in the creation of this essay in comics form.
Cultural studies is a discipline that started in England by the hand of Richard Hoggart during the fifties. Even if it mostly relies on almost the opposite view now (mainly because of theories developed around Bowling Green University in the United States), Hoggart "lament[ed] the loss of an authentic popular culture and [...] denounc[ed] the imposition of mass culture by the culture industries." (As we can read in his wiki entry: http://en.wikipedia.org/wiki/Richard_Hoggart). The previous decade Dwight MacDonald expressed the same ideas in his mag Politics (there's also the Frankfurt School, Max Horkheimer and Theodor Adorno: http://tinyurl.com/oqxtqk). Rius follows these views, but he was a comics artist so, he has to see some good in comics too (ditto Umberto Eco, more or less around the same time). What he denounces are the violence and stupidity of some comics made in U.S.A. (superhero comics, mainly; in France he denounces the cheap use of sexploitation), the greediness of publishers and the stupidity of the audiences: "Mientras peor es la pelicula. Más larga es la cola..." (the worst the film is, the longer the line to attend it - my translation).

Anne Rubenstein's Bad language, naked ladies, and other threats to the nation [about Mexican comics]: http://tinyurl.com/qb4ft8

Image:
Los Agachados # 66 (cover, April, 4, 1971). Alley Oop, a caveman (!), is at the helm of the comics ship.

PS The Crib is on a hiatus, but I hope to return to work in September (in almost a year I did only half of what I intend to do with it).