The Crib Sheet

My Comics Canon.

Thursday, November 27, 2014

Im Herzen von Strapazin

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Tuesday, November 18, 2014

EDMOND, un portrait de Baudoin - Coda

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If you read the quote below you will understand perfectly why the comics milieu (comics publishers especially) is my enemy. I also wonder ...

EDMOND, un portrait de Baudoin

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EDMOND, un portrait de Baudoin (trailer) from Kaleo films on Vimeo . Pour justifier  son refus de lui accorder un prix prestigieux,...
Sunday, November 2, 2014

A Comparison

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Remember when I said below that craft is not enough to produce great art, but a world vision isn't enough either?... Robb Armstro...
Saturday, October 25, 2014

Arturo del Castillo

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Misterix # 715 was published in 1962. At that time Arturo del Castillo was already working for Fleetway Publications in the UK. He co-adapt...
6 comments:
Friday, October 24, 2014

Misterix #715

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I received a few Argentinian mags on the mail today, Misterix # 715 among them, so, and because Mahendra asked, I'll post what's mo...
2 comments:
Sunday, October 19, 2014

Dan Mazur's and Alexander Danner's Comics A Global History, 1968 To the Present - Coda: What is an Artist? (Part Two)

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"Aristophane was a better artist than Jack Kirby, obviously. Joost Swarte is better than Hergé." Domingos Isabelinho If yo...
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About Me

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Isabelinho
I'm a Portuguese comics critic. I contributed to the magazines: Nemo, Quadrado, Satélite Internacional, Splaft! and the catalogs of the Porto, Lisbon, Amadora comics conventions (Portugal), The Comics Journal, The International Journal of Comic Art (U.S.A.), L'indispensable (France), European Comic Art (UK). I also wrote the preface to one of the latest editions of Guido Buzzelli's book I Labirinti (Italy). I co-curated a Buzzelli exhibition in Lisbon and an exhibition of my original art collection in the Beja Comics Convention (Portugal). I wrote twenty three entries in the book 1001 Comics You Must Read Before You Die (UK). In 2012 I was invited to the seminar Aesthetics of Contemporary Comics in Oslo (Norway). In the last half dozen years, I came back to where I started: i.e.: writing for Manuel Caldas.
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