The Crib Sheet

My Comics Canon.

Friday, November 30, 2018

Hand Made

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Why isn't Pierre Alechinsky considered one of the greatest comics artists of all time beats me completely. Pierre Alechinsky, Han...
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Wednesday, November 28, 2018

#8

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As you (yes, I mean you, my faithful 5 or 6 readers - sorry about that, I'm feeling optimistic this fine morning!, maybe I should h...
Tuesday, November 27, 2018

Monthly Stumblings #12: Shannon Gerard

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Unspent Love or, Things I Wish I Told You by Shannon Gerard Shannon Gerard is a Canadian multimedia artist (aren't they all these ...
Thursday, November 22, 2018

Monthly Stumblings #11: Andrea Bruno

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Sabato tregua (Saturday's truce) by Andrea Bruno Deregulated financial capitalism immersed Southern Europe in a deep social, economi...
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Wednesday, November 14, 2018

Monthly Stumblings #10: Alan Dunn

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East of Fifth by Alan Dunn Fredrik Strömberg wrote Black Images in the Comics (Fantagraphics Books, 2003). In the foreword of said book C...
Tuesday, October 30, 2018

Monthly Stumblings #9: Hergé

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Tintin au Congo (Tintin in the Congo) by Georges Remi (aka Hergé) Reproduced above is page 32 of Tintin au Congo published  in the...
Thursday, October 25, 2018

My Favorite Thing Is Monsters, Sabrina and Barcazza

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I just ordered  My Favorite Thing Is Monster s, Sabrina and Barcazza (I would love the opportunity to buy the B&W version of Barcazza ,...
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Isabelinho
I'm a Portuguese comics critic. I contributed to the magazines: Nemo, Quadrado, Satélite Internacional, Splaft! and the catalogs of the Porto, Lisbon, Amadora comics conventions (Portugal), The Comics Journal, The International Journal of Comic Art (U.S.A.), L'indispensable (France), European Comic Art (UK). I also wrote the preface to one of the latest editions of Guido Buzzelli's book I Labirinti (Italy). I co-curated a Buzzelli exhibition in Lisbon and an exhibition of my original art collection in the Beja Comics Convention (Portugal). I wrote twenty three entries in the book 1001 Comics You Must Read Before You Die (UK). In 2012 I was invited to the seminar Aesthetics of Contemporary Comics in Oslo (Norway). In the last half dozen years, I came back to where I started: i.e.: writing for Manuel Caldas.
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